Just a quick post to share the most recent review of my book Until We Are Level Again (Mongrel Empire Press) by Valerie Duff-Strautmann over at Salamander. Duff-Strautmann reviews my book alongside Natalie Shapero’s Hard Child (Copper Canyon Press). Please check it out!
Thank you to Valerie Duff-Strautmann for spending time with my work and for all the support throughout the years!
See y’all Friday!
I’ve been behind in sharing some of my recent publications of the past few months so I’ll be doing a few short posts this week to rectify this.
First up – new work:
- I’m honored to have my poem “Conditioning (Run Study)” published in the latest issue of Hunger Mountain “Everyday Chimeras.” They have been kind enough to share it on their site as well. Special thanks to the editors for including my work alongside some great writers including Elizabeth Acevedo, Brian Clifton, and Carl Phillips!
- Also, my poems “Flea Market,” “Funeral,” and “Grit” are included in the latest issue of The Inflectionist Review! I’m always excited to be a part of one of IR’s issues. This one includes fine work by Jon Boisvert, Laurie Kolp, and Maximilian Heinegg among others!
- Lastly, I am psyched to have a haiku included in the latest issue of Bones: journal for contemporary haiku. I found out about this journal a year ago, and spent that year reading past issues and working out how my haiku aesthetic could learn from the work they publish. Special thanks to the editors for including my work!
Stay tuned for updates on reviews and media later in the week!
I’m happy to share that my third poetry collection, Until We Are Level Again, is officially out from Mongrel Empire Press! It’s available for purchase here.
This collection incorporates excerpts from my first chapbook, The Wall (Tiger’s Eye Press), into a sequence of poems that engages further with ideas of language, identity, family, work, and death. I am excited to have it out in the world and hope you check it out!
Special thanks to MEP editor Jeanetta Calhoun Mish for working with me on this project and to Anthony Frame, Robin Carstensen, and Octavio Quintanilla for their wonderful blurbs. Thanks as well to Adeeba Shahid Talukder and Brian Clifton for close reads of the manuscript in its final stages. Thanks also to Ani Schreiber for the digital sketch that adorns the cover.
To celebrate the book’s release, I want to share the poem from which the book title comes from. This poem means a lot to me on a formal and conceptual level: formally, it is one of my breakthroughs in my work with syllabics, a poem where all the experimenting feels like it pays off (at least to me). Conceptually, there is a clarity to what the poem says that remains complex. I’m not trying to praise my own work; rather, the last line was one that surprised me when I revised into it. It appeared on the page as if I had placed it there in another life.
The Broken Escalator at the Train Platform – José Angel Araguz
When something like this breaks, it means
we must swarm around the narrow
stairway, our steps slower, the pace
set according to our sighs. Each
glance and gesture becomes a word.
My looking down and waiting speaks
to the old woman next to me:
after you. All the stars left in
the sky, all the calls and blinking
messages, the wintered sorrow
of all passing thoughts must now wait
until we are level again –
wait as we take turns returning
to our lives. When something like this
breaks, it means the words I wanted
to write before are different from
the ones I have got down for you.
These words are older than you think.
originally published in The Boiler
Just a quick note to share the release of the latest issue of The Collagist which features my poem “Cows.”
This issue contains work by Tina May Hall, Felicia Zamora, and other stellar writers. Check it out here.
Thank you to the editors for including my work!
See you Friday!
Just a quick post to share two things:
ONE: I am honored to be the January featured poet over at A Dozen Nothing. I’m especially excited to have these particular poems out in the world as they deal with some of the personal and political aftermath of last year’s election.
Thank you to editors Jeff & Pete for allowing the space for this work!
Check out the new work here.
TWO: I want to officially announce the forthcoming release of Until We Are Level Again, my third full length poetry collection, to be published by Mongrel Empire Press later this Spring.
Thank you to editor Jeanetta Calhoun Mish for giving a home to this manuscript!
I’ll be sharing more news closer to publication. For now, here’s a peek at the cover art, a digital art piece by Ani Schreiber.
Happy new year to all of you!
See you Friday!
Just a quick post to share this clip of me reading my poem “Flea Market” which will be featured in the next issue of The Inflectionist Review!
Thank you to John Sibley Williams and A. Molotkov for the opportunity to put these words on the air!
See you Friday!
First off, I am happy to share the latest issue of West Texas Literary Review which features my poem “Old Man in a Rocker.”
This issue also features solid work from Ace Boggess, Ann Lowe Weber, Tara Ballard, and John Sibley Williams among others.
Secondly, I am happy to share that my prose poem, “City of Windows,” has been nominated for Best of the Net by the good folks at Pretty Owl Poetry.
Thank you to the editor for the nod and community!
Lastly, I am delighted to share that I am beginning my tenure as one of the editors of Right Hand Pointing starting this month.
My welcome into the fold is in the shape of the latest issue “the rain will never end” (issue 115) which I guest edited. I had a great time selecting pieces for the issue. I hope you enjoy spending time with them.
Thanks to the RHP crew for bringing me on board!
See you Friday!