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I’m happy to announce the release of my new book of poetry, Small Fires, available now from FutureCycle Press and Amazon!!!

This collection includes my poem “Blade” which won an Academy of American Poets Graduate Poetry Prize selected by Carl Phillips.

Be sure to check out the book and stay tuned for the availability of signed copies later in the month. Also, let me know if you are interested in a review copy.

Special thanks to Diane Kistner and the good folks at FutureCycle Press for giving this project a home! Thanks also to Andrea Schreiber for the cover artwork.

More news to come later this week!

José

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influence news

This month marks five years of blogging on The Friday Influence! Over the years, this space has been a great source of community for me. Thank you to all of you who stop by regularly or just pop in at random looking for a poem. I continue learning much from interacting with you, either in the comments or elsewhere, including my Instagram poetry project poetryamano.

As the Influence enters its fifth year, I’d like to go further and reach out to readers and fellow writers in the hopes of having the blog be a bit more interactive. Above, you’ll see that there is a new “Submissions” tab with information on current calls. You’ll see that there are two specific calls, one for those interested in participating in a microreview & interview, and one for a montly haiku/tanka feature.

For the haiku/tanka feature, I’d like to do a monthly post of a variety of haiku and tanka, in whatever variations you are inspired to write. From traditional, nature-centered three line poems, to one line haiku, prose haiku or tanka, or even a blackout / erasure haiku or tanka. Check the Submissions tab for how to send your words and images.

book news

mask with frameIn other news, we’re about a month away from the release of my next book, Small Fires, which will be published by FutureCycle Press. As a bit of a preview, I am sharing the artwork that will be incorporated into the final cover, an ink painting by Andrea Schreiber.

This painting was inspired by the poem “Luchadores” (originally published in Waxwing) which I share below. Thank you all again for a great five years and stay tuned for the release of Small Fires in May!

*

Luchadores

after Cathy Park Hong

They were the only men in the house,
and stood firm, one hand raised
saying farewell, the other idle.
I’d make each bed, wash dishes,
set chairs back in place, then dig
under the sink where their masked faces
waited to be pulled out. I fought
with them all afternoon, took turns
playing villain, playing good,
letting each one win, then starting
over. The light in the garage apartment
turned all summer, flickered
light and dark across the floor
as on the leaves outside.

*

Happy anniversarying!

José

 

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Happy to share this recent Q&A session focusing on my poem “Hails from Corpus Christi” from my forthcoming collection Small Fires (FutureCycle Press, 2017).

In this short session, I discuss this poem in terms of “soundscape” and measure as well as go into some of the themes of the upcoming collection.

There might also be a brief reference to the Ninja Turtles.

Just sayin’.

Special thanks to Ellie Francis Breivogel for her insightful questions as well as to everyone at Carve Magazine!

“Hails from Corpus Christi” will be published in CM’s next issue which is available for pre-order!

Happy hailing!

José

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amolotkov1Just a quick post to announce that my latest microreview & interview for the Cincinnati Review blog is up!

This time around, I do a close reading of moments from A. Molotkov’s upcoming collection, The Catalog of Broken Things (Airlie Press).

A. Molotkov edits The Inflectionist Review along with John Sibley Williams.

Find out more about A. Molotkov’s work at his website.

See you Friday!

José

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Just a quick post to officially announce that my second full length collection of poetry, Small Fires, has just been accepted for publication in 2017 from FutureCycle Press. This collection will feature the poems “Joe” and “El Rio” among others.

FutureCycle are also the same good people who published my prose poem/flash fiction chapbook, Reasons (not) to DanceI’m excited to be working with them again. Stay tuned for further news come 2017.

To celebrate the Small Fires news, I thought I’d share my contribution to the Journeys into Tanka project that’s going on via the Tanka Society of America Facebook page. Poets were asked to share a tanka as well as some words on their journey into the form, what it means for them and how. Readers are welcome to respond in the comments with their own tanka and/or tanka-related prose.

Special thanks to Marilyn Hazelton, TSA president and editor of red lights, for the invitation to contribute!

tsa journeys

See you Friday!

José

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I’m happy to announce that my new collection Everything We Think We Hear is officially available on Amazon!

As I’ve mentioned here, this project brings the prose poem and flash fiction structure of my chapbook Reasons (not) to Dance and takes it in a more personal direction, adds a little more guacamole and South Texas to my usual rhetorical and imagistic leanings.

Here are what some of my favorite writers had to say about the project:

“What is the meaning beyond memory’s hauntings? How does one survive the multi-faceted self fashioned from such meanings? Poet José Ángel Araguz’ unflinching collection, Everything We Think We Hear, considers these questions from all angles and gives us answers as adamantine and brilliant as the prose poems he has fashioned in his questing.”

Sarah Cortéz, Councilor, Texas Institute of Letters, Author of Cold Blue Steel

“José Ángel Araguz balances the beauty and agony of a man siphoning love from beer bottles, sparse mother-son conversations, a stern Tía’s throw, and the weathered memories of an absent father. This collection, where a boy who couldn’t dream becomes a man “making communion with all he knows,” insists you gaze on lo raro, the sour-pickled and scattered parts of a soul who refuses to ignore the song of the broken even when surrounded by splendor. “

Peggy Robles-Alvarado, author of Homenaje a las guerreras

“In José Angel Araguz’s collection, Everything We Think We Hear, todo se vale, everything goes! This book plays with our senses and forces us to consider what we think we hear, what we think we are reading. A fierce voice that shouts often and whispers now and then the many truths of life in South Texas. The poetic prose pieces startle the senses with rich images that linger in the mind like memorable dreams. Read these pieces and come away transformed.”

Norma E. Cantú, author of Canícula

Anyone interested in a copy for review, I can make a PDF available. Feel free to contact me: thefridayinfluence@gmail.com

Thank you to Sarah, Peggy, and Norma for their wonderful words of support for this project!

Special thanks as well to Roberto Cabello-Argandoña of Floricanto Press for working with me during this process!

See you Friday!

Jose

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This week’s poem by Juan Felipe Herrera (recently appointed as the first Chicana/o U.S. Poet Laureate) caught me towards the end the first time I read it. The way the details come together. The turn and return at the end to the image of something dark around the neck. Each reading of it since that first helps me appreciate the lyrical nerve at work.

The words about the grandmother had me in my memories of my own grandmother who passed when I was nineteen. I’ve been in a similar space as the poem describes, “inventing her memory.” For me, “black sparkles” is ink, each word more of the “leash” the poet writes of.

Cimabue, Goya, Beginnings – Juan Felipe Herrera

I carry a dark necklace around my neck.
It’s painted on.

No one has taken notice.

They think it’s an outline or an odd shadow.
No one has stared longer than a few seconds.

I’ll tell you.

I didn’t know where to put all the fragments of the novel
that family never finished. It had such sweet beginnings,
but it grew umber with a one-eyed madonna hovering
over the lampshade.

So many years, I whispered to her
come to me,
listen to me
I understand.

She would appear to me with gold-leaf
around her braids and seven daggers erect over the heart;

perhaps the last desire; the first real words
escaping from my grandmother’s grave, trying to touch
my hair as I sat at seventeen, writing,
inventing her memory.

Her voice was so loving,
now, all that remains is this broken leash
of black sparkles.

Frescoes in the Upper Church of San Francesco in Assisi, southern transept, scene: Apocalypse, Detail by Cimabue

Frescoes in the Upper Church of San Francesco in Assisi, southern transept, scene: Apocalypse, Detail by Cimabue

I’d also like to announce that my full-length microfiction collection Everything We Think We Hear has just been accepted for publication by Floricanto Press!!!

This manuscript has gone through several incarnations since 2012. The move towards microfiction happened in the last year. Something conceptually clicked about these pieces as I was working with FutureCycle Press on the finishing touches of my recent chapbook Reasons (not) to Dance. FutureCycle’s belief in one project breathed life into another.

I’ll be sharing more updates on the project as the book comes together.

Happy everything!

Jose

 

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